In her artistic practice, Anne von Freyburg actively engages in the ongoing discourse surrounding femininity and the construction of female identity. Departing from historical norms that sidelined traditionally feminine materials, her work serves as a reclamation of the value of textiles and embroidery in fine art. The Rococo aesthetic provides a rich palette, allowing her to both engage with and distort modern ideals through quilting techniques that simulate cosmetic procedures. Her choice of materials is purposeful, each carrying its own historical and social connotations. By blending high and low art, she repurposes elements like 70s tapestry wall-hangings, fusing them with contemporary materials like BDSM lacquer faux leather. This intentional mix challenges stereotypes and norms while providing a commentary on the impact of fast fashion. It's not just a conceptual statement on craft and femininity but also a celebration of the inherent artistic possibilities across all materials. A notable aspect of her approach involves disrupting the traditional hierarchy between craft and fine art. By concealing her own paintings with fabrics, she challenges the prevailing notion that painting holds the highest artistic value. The under-painting serves as a guide for fabric placement, with Rococo masterpieces repurposed into fashion fabrics as a nod to the traditional medium.